Adresses

JW3 Gmbh
Route de Lentine 2a
1950 Sion

JW3 Studio
Route de Savièse 11
1965 Savièse

Switzerland



Artist Statement

I am a Swiss-based artist working at the intersection of nature and technology, morphing the lines between man and machine. My artistic practice explores the tension between the genuine and its reproduction, often guided by a state I describe as flow momentum – an intuitive process of emergence, shaped more by rhythm than control.

After completing a polygraph apprenticeship in 2003 at a large printing house, I founded my own graphic design studio. Inspired by Andy Warhol – who opened the field of fine art to designers – I understood early that my practice would not revolve around the idea of the “unique.” Warhol's embrace of seriality and reproduction liberated my thinking: the artwork is not an object, it’s an idea set in motion.

Following further studies in Interaction Design, I became a freelance designer for renowned agencies and co-founded a digital art start-up. These years deepened my understanding of emerging technologies, systems thinking, and human-machine interaction. Despite external success, I faced a deep internal dissonance – until a pituitary tumor, discovered in late 2021, brought me back to my artistic core. This rupture sparked a profound creative outpouring, documented across thousends of notes & photographs.

Today, my works arise without commission or client. They emerge from a principle I call stow & let go, first articulated in my artistic manifesto Followers of the Flow (2020). It is a method of intuitive accumulation and sudden release – rooted in the idea that creativity is not something we control, but something that moves through us.

In recent years, my inspiration has increasingly drawn from the latest developments in science – from quantum physics to artificial intelligence and neuroscience. I consider contemporary scientific knowledge not as content to be illustrated, but as a conceptual reservoir that reshapes our perception of reality. I translate these shifts into visual forms that challenge the boundaries of perception, presence, and materiality.

My current practice focuses on the creation of fine-art prints, algorithmic images, and hybrid installations. These works are not only visual fields but experiential spaces that invite the viewer into altered states of awareness – subtle, contemplative, and resonant with the technological condition of our time.

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